2018-Tirada-Remini

Group Exhibitions

2021  'Istorya Namon Subong: Our Stories Now,' Salcedo Auctions Private View and Art Fair Philippines 2021, Makati, Philippines

2021  Art In The Park 2021, Orange Project booth, Makati, Philippines

2020  “Art by the Bay,” Association of Pinoyprintmakers, Cultural Center of the Philippines, Manila, Philippines

2020  “Viva Excon 2020: Dasun” Orange Project, Bacolod, Philippines

2020  “Istorya conTEXT: Amon Ni,” Orange Project booth, ArtFair 2020, Makati, Philippines

2020  “Shadow Memories,” Negros Museum, Bacolod, Philippines

2019  Art In The Park 2019, Orange Project booth, Makati, Philippines

2019  “Hands On,” Association of Pinoyprintmakers, Cultural Center of the Philippines, Manila, Philippines

2019  “Spacial Intervals,” House of Frida, Bacolod, Philippines

2019  “Not Another Mother and Child,” Orange Project, Bacolod, Philippines

2019  “BAYE,” Damgo Coffeeshop, Silay, Philippines

2018  “Trip Lang,” Onsé Coffee + Art, Bacolod, Philippines

2018  “Tirada: 50 Years of Philippine Printmaking 1968-2018,” Cultural Center of the Philippines, Manila, Philippines

2010  “For Colored Girls Only,” Joyce Gordon Gallery, Oakland, California, USA

2007  “Overmapped: A Cartography of Filipino American Visual Arts,” SomArts Cultural Center, San Francisco, California, USA

Press and Media

I am a visual artist and printmaker based in Talisay, Negros Occidental. In my work, I explore identity, memory, time and place to create layers of nuance and meaning. I use mixed-media collage, printmaking and image transfers to convey an “antiquarian sensibility.” My motifs are inspired by found photographs, vintage ephemera, maps, family stories and archival research.

My collages and layered works on paper reveal and conceal stories. Editioning allows me to explore several states of process and experimentation. I make artist books as a structural form to expand a given narrative across time.

I also make cyanotype prints, a form of alternative photography, which produces the characteristic monochromatic blue image on archival quality paper. I use this antique process, which predates the film camera, and not black or white or color, because I want the images to be timeless.  Blue is also the color of the ocean, of distance and longing.

About Me

Teaching and Demonstrations

2021  Introduction to Relief Printmaking, online workshops with Kantina/Roxas City and Fine Arts Dept. Siliman University, Philippines

2020  Cyanotype Workshop with Alexis Oshima, Art Fair Philippines 2020, Manila, Philippines

2019  Print Day in May, relief and drypoint workshops, Onsé Coffee + Art, Bacolod, Philippines

2018  Print Day in May, relief workshop, Onsé Coffee + Art, Bacolod, Philippines

2017  “Jamming with the Prints,” workshop, Orange Gallery, Bacolod, Philippines

2017  “Jamming with the Prints,” demonstration, Negros Museum, Bacolod, Philippines

2003 – 2009  Image Transfer Techniques, Polaroid Emulsion Lifts, and Portrait Collage Workshops at The Nova Studio, Pt. Richmond, California, USA

2007  Image Transfer Techniques and Creative Digital Printing at Bay Area Book Artists (BABA) series, Printmaking Department, Foothill College, California, USA

2014  Etching I, II and III with Kazuko Watanabe at Kala Art Institute, Berkeley, CA, USA

2013  Linocut Immersion with Katie Gilmartin at the Chrysalis Print Studio, San Francisco, CA, USA

2013  Digital Chine Colle with Robin McCloskey at Kala Art Institute, Berkeley, CA, USA

2013  Soft Ground Etching with Theodora Varnay Jones at Kala Art Institute, Berkeley, CA, USA

2011  Monotype Intensive with Ron Pokrasso at the Vander Meer Studios, Oakland, CA, USA

2010  Drop Color Monotype with William Harsh at the Center for Community Arts, Walnut Creek, CA, USA

2008  Encaustics Monoprinting workshop with Eve-Marie Bergren at the San Francisco Center for the Books, San Francisco, CA, USA

2006  Collage workshop with Ann Baldwin, San Rafael, CA, USA

2004  Collage workshop with Jonathan Talbot, Sebastopol Center for the Arts, Sebastopol, CA, USA

2003  Image Transfers on Paper, Fabric & More with Richard Elliot, Marin County Arts Center, Marin, CA, USA

1980  BA Advertising, San Jose State University, San Jose, CA, USA

Art Education

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